Thursday, October 29, 2015
Sunday, October 25, 2015
"At Least You're Aware..."
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Tuesday, October 20, 2015
I'm a comic artist again
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Tuesday, October 13, 2015
Naught for Nothing
We used to live in a world where there were real things to be afraid of. Furthermore, there was some point in our youths where we learned a bunch of names for phobias, meaning that we talked about fears not anxieties.
Not to trivialise anxiety, nor add to its stigma. I've had one anxiety attack and it was highly unpleasant. I've been afraid many more times in my life, innumerable times. Just today I was reminiscing about a sand dune I climbed in my youth, that being a sand dune created an artificial horizon once you had climbed it, and heading back down had me irrationally afraid of it becoming a cliff. Fortunately a younger kid in our group voiced his fear and spared me the ridicule, but as an adult I realise it was tricking out the automatic devices in my mind hooked up to my eyes and giving me a sense of vertigo about approaching the edge.
I presume this very device has kept many of my ancient ancestors from falling off cliffs and precipices and crumbling rock walls, allowing them to live and reproduce so I can be their ancestor.
Irrational though it was that a mound of sand would suddenly erode away into a sheer cliff face, that fear was most definitely not like my one and only ever anxiety attack. More akin to that were the dreams I had about running, where I would get stressed by the physical sensation of paralysis that occurs in REM phases, as the Victorian High School cross country meets played out in my mind.
I'm wondering though, if I now live in a world where I am surrounded by people who have a reverse ratio to me. Who've experienced anxiety innumerate times and fear once to never. I mean all of us experience anxiety, it's within the normal spectrum of human emotion.
But I seem to, and to be honest, resent living in a world where people are afraid of feeling 'awkward' or 'weird' a perpetual high-school where life's objective is to avoid humiliation.
I feel like I live in a world where dismounting from the uneven-bars induces in me a fear of breaking my ankle, and landing awkwardly, san broken ankles is a good outcome for me. I really don't give a shit about my grace in sticking a landing, just that I stick the landing. Everyone else, someway somehow is operating on a level where the worst possible outcome is that they stumble, ever so slightly.
I suspect some technologist built the world around me, and probably less recently than I imagine (I imagine back to the 80s, but it could have been some disciple of the Buddha) felt like it was possible through modern innovation to remove all human suffering.
Obviously, that hasn't succeeded, but it hasn't stopped a bunch of people from trying. Nassim Taleb has this beautiful derogatory term 'fragilista' to describe entities like Alan Greenspan and Gordon Brown whom set about trying to remove economic recessions from the economic cycle forever, resulting in the current state of the world economy. But that kind of digresses from the point.
Consider that if you are reading this, it's highly likely you have never in your life needed to actually contemplate a concept like 'food security' which refers to your access to basic calories of food intake. You've probably stressed more in your life over the excess of calories you consume and probably even expend money and/or energy trying to compensate for just how much food you eat. Even while complaining about being broke.
Whereas large chunks of the world's population do worry about food security, and I don't know, but I strongly suspect, they don't much worry about social anxiety. The populations that hike miles for clean drinking water, I also suspect don't have bullying epidemics driving up youth suicide rates.
This may seem to be straying far from what my seeming problem with people devoting energy to avoiding weirdness and awkwardness is, but I see them as related.
I suspect a lot of people now live under a credo where for various reasons, they think it is possible to get things without giving anything. Buy a house and your capital will appreciate without you doing anything to earn it (although, plenty of people think renovating a property before flipping it does something, I strongly suspect the time you spend renovating before flipping the property contributes more to the appreciation than the renovations themselves.) or that by racking up enough degrees somebody will just pay you to do your dream job. Or that by swiping right on an app your soulmate is going to find you.
And perhaps being able to steal intellectual property, virtually consequence free for almost 2 decades and a booming (at least still in Australia) property bubble have helped seed a mindset that thinks you can get something for nothing, take no personal risk. I went to private school and that certainly drummed in that if you just worked hard at memorising the limited sets of problems you are tested on, then you can pretty much just pick your career.
Give me the society where senior high school students have to bet their futures on a stud-poker match. Where luck plays a visible role and from an early age kids have to accept that sometimes you lose, sometimes you fail and sometimes you just have setbacks.
I suspect some of the worst treatment I receive is a product of a golden rule for this era of extreme risk-aversion, failure aversion. If I apply to a job, where my resume is being reviewed by a person who grew up fearing rejection, that person is likely to not want to subject me to a rejection letter, so they just don't call. Of course, in our current job market where 100 applicants swarm over one position, it's more likely that it simply isn't feasible to contact all the unsuccessful applicants. But say I ask somebody out who could never bring themselves to do so, I am beginning to suspect this is the driver beyond the modern phenomena of simply not answering - particularly as Aziz Ansari pointed out in an increasingly text based communication culture.
Most practically frustrating for me, is trying to draw audiences to an art show from people that would never do what I do. Are studying their hardest so they don't have to. But somebody has to, that's the catch. These are what employers are, the risk takers or descendents of risk takers that gambled big to command the resources.
I'm gambling my future on selling pretty pictures. I'm trying to sell it to people that don't even use their real names on facebook, that don't click 'like' on statuses they like. People that won't answer a question unless it has a clear criteria for success outlined by some academic.
These people understand me as little as I understand them. And yet I have to work with them, convey to them somehow, that because they'd never exhibit their own art in a show, it still means something to me for them to turn up to my show and look at my pieces, and judge them. Yes, I want them to do to me, the very thing they are most terrified of being subjected to themselves.
How do you sell that?
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Sunday, October 11, 2015
Homosocial
Homosocial cultures bring about all kinds of problems, but it was only while doing a recent run of Inktember (Inktober brought forward a month) that I had the epiphany that these problems aren't distributed equally.
Specifically, I was waxing speculative on the 'mysterious loner' appeal, that is portrayed in pop culture and literature (Bronte sisters etc.) where women become fascinated with a loner, and ultimately attracted to him.
Because I didn't know if this was a real life phenomena, or a bi-product of giving male protagonists a love interest (ie, a protagonist serves a function, particularly in fiction of giving us a relatively normal character to identify with in that world, that is a proxy tourist often meeting and interacting with characters far more interesting than them, like Luke Skywalker, Mad Max etc. this means they are often like the audience themselves out of their depth and in foreign territory, so they don't accept or act in accordance with the norms - giving these characters a love interest helps fulful audience fantasies vicariously - so maybe loner appeal is reverse engineered from this, and is no more real in reality than becoming a Jedi Knight is.)
Anyways, point is, I don't know. It could be a real thing or not, but instead I wrote at length about my experience with being ostracised from a female social circle, where likewise, I didn't actually know what I was supposed to do because I've never been a teenage girl. What was weird was that when I asked my female friends for advice, though almost all had experienced it - nobody told me, or seemed to know, what you are supposed to do.
This article established that it was a real thing though: http://quillette.com/2014/02/05/how-women-gossip-and-gang-up-on-each-other-to-get-what-they-want/
And they seem to link to actual research, which I never checked out.
Generalsing of course, observing female social dynamics in highschool exile/ostracism is a form of violence employed by women - social violence if you will. Whereas in male social dynamics physical violence can resolve and relieve social tension (by clearing up ambiguity in a vertical hierarchy) or if the ambiguity remains - exile/ostracism is a form of avoiding violence - two boys agree to disagree and stop associating with each other.
Here an asymmetry arrises. If you are angry at one of your girlfriends, and you have the social clout, kicking her out of your group can feel like a death sentence to her and she can come and beg and scrape and claw her way back in, resulting basically in conformity behavior. Try it on your boyfriend and you may overhear him saying 'I don't know what her problem is.'
This is but one asymmetry though, what got me thinking though, was that a woman who climbs the top of a female hierarchy dominating those in her social circle, could prove almost completely ineffective once engaging a male hierarchy. Which is a problem if you are seeking real power, rather than obtaining it via proxy by becoming the mate of a dominant male who possesses real power.
Here's where it's tricky, I recently heard a female colleague site the old 'boys do better in coed schools where girls do better at all-girls schools' dilemma. You can't enact a top-down educational system that ensures the best performance for everyone. I don't know how widely known this sentence is, but evidently parents still send their kids to coed schools, and parents still send boys to all-boy schools. So there's a persistent difference of opinion.
The trouble is that I've never had it defined for me as exactly what 'do better' means. If we are talking academically, then this finding isn't worth the energy burnt to illuminate the pixels on your screen. If it is more holistic, taking into account in particular mental health/life satisfaction outcomes and actual non-academic career outcomes then it is worth paying attention to.
I'm not a parent but I speculate that regardless of the genders of my children, I'd send them both to coed schools in any circumstance. I see it as an extension of my preference for dealing with what is.
But I'm not consistent on this principle. In economics I'm all for segregating an economy so you can actually operate things like decent labor practices without having to worry about what the most populous nations of Earth are doing with theirs. I could rationalize that acknowledging that an economy like Australia is not going to have much sway over Chinese labor practices and subsequently throwing up some barriers to trade (particularly in the labor market) is a way of strategically dealing with this ''what is' but then I'd have to say, removing men from salience in the minds of female students would be dealing with 'what is' in the exact same way.
And furthermore, I'd be the first to agree that not just women, but any in-group needs safe and exclusive forums within which they can discuss and understand the world in which they live. In the same way that the House of Commons needs parliamentary privilege so they have a safe place to criticise their head of state.
The trouble is when you become homosocial, which needn't apply only to genders, it arises quite commonly and naturally in one form or another - when you socialise exclusively with people who think like you do.
And the big problem is the asymmetry, if rich people of influence only associate with rich people of influence, that's a much bigger problem for the poor and under-represented in society than it is for the privileged elite. Likewise, if feminists just operate in their safe spaces for women, engaging by and large exclusively with other feminists and industry continues to be dominated by a patriarchy, that plays right into the patriarchy's hands, and is a problem for feminists.
One of the wanky things I've heard said about artists was 'artists move freely through society' but it is one I would concede to be true. I socialise with bankers down to drug addicts, and for some reason dress codes and even enclothed cognition don't seem to apply to me. Last year I had a Friday evening Christmas party with fellow deadbeat artists, the next night I was at Christmas drinks with Cardiologists. I like it, and I actually don't feel much ingroup-outgroup dynamics.
Artists can certainly get cliquey, and this generally results in those artists being shit. It's a long time since the impressionists formed their own Salon, and people popped their monocles in reaction to any art. But I know in my prior life as a Sales Support worker for a power equipment importer, that in the three years I worked in that department, I saw the world through a prism that greatly overvalued the importance of things like rainfall, exchange rates and demographic shifts power tool usage.
Or as Malcolm Gladwell loves to quote 'To a worm in horseradish the world is horseradish.'
There's a delicate and dangerous balance between creating a safe place for like minded people to gather and discuss ideas, and forming a homosocial clique. Fortunately, I am a white straight male born into middle to upper class Australia. If I screw up and live in a homosocial culture, my advantage is most likely going to compound. If you don't belong automatically to an absolutely priveleged outgroup, ie a disadvantaged outgroup, you can stuff up, and stuff up badly.
Strangely, disability advocacy groups seem to understand this, even as they naturally employ many people with disadvantages internally - their mission is almost always about raising awareness and fostering opportunities for inclusion. But disadvantages along the lines of gender or race feel to me, far more prone to playing into an us-them dynamic, ostensibly wanting inclusion but focusing on their own and the outgroups relative otherness.
I could be wrong, but I look to Japan where homosocial culture is actually a big problem. Women only train carriages being a testimony to how unsafe a place is for women rather than a triumphant safe place for women. Then there's the national crisis of plummeting birth rates (preceded by plummeting marriage rates), and the ageing population. Japan appears to be the first nation where women and men are losing interest in each other. For some reason I expect it will be rougher on the women than the men though.
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Monday, August 31, 2015
Nerd World
But now the observer can observe without fundamentally changing the environment. That world is nerd world. You can gaze on it via youtube clips called 'let's play'.
I didn't really stumble on nerd world by accident. Rather resentfully. What I as an artist was looking for was the mind numbing hours of entertainment videogames provide without needing my hands that were occupied with drawing.
The annoying thing was that these lengthy youtube playlists arent just screen capture recordings of people silently playing video games, but often come with the commentary of the nerds playing these games.
At first I felt like offering the advice I heard was often offered to non-comedian talk show guests, 'don't try to be funny'. I've written before that for me the defining character trait of nerds is a lack of imagination. Hence the draw to high fantasy epics and computer games and movies with lots of explosions and plot twists, because to the unimaginative a little entertainment goes a long way.
But I strongly suspect that an being easily surprised makes for a geat comedy crowd and really shitty comedians. (Scarily alt-comedy rooms may subsequently be able to feed off theselves)
So at first I was in pain but at a loss for reliably long sources of quality entertainment.
Eventually though, I began to appreciate being able to see the world through the prism of a nerd.
I'm sure many nerds have for example heard about Donald Trump's run for the gop ticket or the mike brown ferguson riots and other topical news stories. They may even have strong opinions about matters of social justice. But in nerd world, the decisions of blizzard game designers are actually important to their lives. The inclusion of characters in the street fighter 5 roster are worthy of debate.
Which isn't to say matters like these are important. They are in fact quite sad, and sadly unlikely to be improved by actual fans, just like fan fiction's greatest contribution to the world is 50 shades of grey.
But we are most judgemental of others when they remind us of ourselves, and it is what nerds can teach us about ourselves that makes the study of this human extreme worthwhile.
The ability to get emotionally invested in the completely trivial at the expense of a real and fascinating world around us is common to us all but exemplified by nerds.
I'm afraid though if you are having belly laughs to the commentary in-jokes of a lets play video there's probably no helping you.
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Friday, August 28, 2015
The days that are hard
The days that are hard are when you aren't. The work is sluggish and feels like actual work. And that's when you can just put your pen away as a hobbyist until you feel it again. But I think when you want the job you have to enjoy these hard days too. Work through them to set you up for more flow. Like running through your wall in a marathon.
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Sunday, August 09, 2015
Marry Well
My maternal grandparents were a mismatch. An unhappy marriage common in that day and age where divorces were unfortunately uncommon and furthermore came with dire economic consequences for mothers.
And yet to some extent I, two generations down, am paying for the mismatch.
I don't want to sound like one of those 'we gotta get the population down' dipshits whom are the grown up uneducated version of smarmy private school dipshits that argue the merits of totalitarianism, both of which have to be argued from the perspective of the least favored in the solution.
But I do wish we just removed the pressure to find a mate and have children in general. Not that I have problems with breeders, but that I have problems with settlers.
Looking about at your friends that tend to care about this shit, what do you observe? Broadly speaking people who do relationships tend to date 3-5 serious partners before marrying the last one.
In the breakups people do ask a lot of questions of the world and themselves, but do they carry this over to the hookups?
How common is it for a person to actively ask 'how is he similar to the last guy I dated?'
I'd say not common at all. Generally Tristan can be very similar to Trent, the crucial difference is that Tristan has a clean slate, he may have a history of cheating but he hasn't cheated on you (yet).
It's also not uncommon for the next partner to actually be the last partner. Is it more common, do you feel, for somebody to ask 'has Trent changed?' Or to say 'Trent has changed.'
And for that matter have you changed?
I pride myself on learning from past experience, though I'm not sure I am lsuccessful. But one thing I wont do for example, is date somebody because I can. This isn't to say I pursue unobtainable partners per se (though the result is largely the same) but that I won't ever again enter a relationship because someone is perfectly nice and into me and I do get lonely. That's not enough.
I've even learned from non-starter relationships what is now an article of faith for me - "wishing somebody would change is at the expense of the person who actually is that someone else." And that cuts both ways, I won't date somebody that gives me the impression they need me to be somebody else.
These though are lessons specific to my experience.
I watched the Big Bird documentary earlier today. I was touched many times over but he was a guy that had been married to both the wrong and right woman. Particularly touching was when he described crying inside the big bird costume as he was going through his divorce.
His children are rare exceptions, born into an unhappy marriage they were raised in a happy one and loved their stepmother.
I remember reading in 'How to Love' about histrionic personality disorder how histrionic make 'poor child rearers' and I think thats a good hueristic as to whether you're settling for a particulalry poor partner. Based on how they treat you and what you know of them, would you really put your child in their arms? Or are you hoping that parenthood will change them?
Maybe not. Earnestly, I don't know if people with low self-esteem for example, would be capable of having the double standard for their children. I don't know.
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Wednesday, July 29, 2015
"Right now we could all be reading a book"
But this line from the Boondocks cracked me up.
I like the Boondocks because it has almost nothing to do with the white man. When he does feature he'll be voiced by Samuel L Jackson, or he'll be a cruel punchline. Exploitative, mean and ignorant. A good enjoyable burn in other words, and I think in it's most sensitive and fair treatment of white racism, the Boondocks portrays accurately how little racists care.
Where it is great is on it's commentary of activism, where it has been itching a scratch of mine exacerbated in recent times by actually reading my facebook newsfeed.
I think more than any other series I've ever seen the boondocks demonstrates that there are morons on both sides of any debate, including the right side and they undermine actual progress.
Take the institutional racism in the American judicial system. Because african Americans are disproportionately convicted (and arrested, and probably advised to take plea deals) but the show satirize R Kelly's underage sex tape going to court and defense building a case around Kelly being a victim of racism.
Or having Martin Luther King Jr awake from a coma and criticize current bslack culture as being symptomatic of their oppression.
I cant really disect a show i couldn't write myself and could never execute. But I needed to see it.
My social network crowd is a progressive crowd, left leaning liberal bias. Thankfully most aren't activists (social media activists) and none so far as I'm aware are conspiracy nuts that worry about the gold standard being defunct and shit.
For example, you're on the right side of Australian history if you are pro marriage equality and pro meeting our human rights signatory status on asylum seekers.
But you are confused if you call yourself a 'real Australian' to welcome refugees. Or think it necessary to counter protest a protest people that aren't protesting any actual legislation, in a country that has already voted and ridiculed the one nation party out of existence. And you are confused if you applied the rainbow filter to your facebook profile picture and then bandy terms like Islamophobia around for people who are protesting sharia law.
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Wednesday, July 08, 2015
Substitute
One way we commonly avoid thinking is to use 'substitution' which is when faced with a difficult question that requires effort to answer, we substitute the question for an easier one and then use the answer to the easier question.
It's a really common mental habbit. And it conserves a lot if energy, furnishing us with 'good enough' think using 3.14 instead of the actual number of pi.
The most problematic substitution though are the hard questions, the example from the book was this:
How happy are you with your life over past 6 months?
How happy are you with your sex life over the past 6 months?
Presented in this order responses don't correlate, peoples consider each question, reverse the order suddenly the answers do correlate.
Sex life bad = overall life bad. Can do it with career as well.
What i feel i see is that this doesn't apply just to filling out questionnaires but when it comes to actually trying to solve the problems of what to do with our lives. Even though the moments may be just as fleeting, it translates to decisions and translates to actions.
Figuring out what will make us happy is a hard complex simultaneous equation with at least 6 variables to solve for anddealing in absract rather than concrete terms.
How to achieve happiness = hard. How to achieve status = easy.
At least the how to part.
Take any wayward 20 something and what advice is offered them? Go back to school and change career (or become a career academic), or just plain get a job. If the job isn't the obvious solution it'll be a relationship, specifically - get one. Or get laid depending onthe coothness of your vizier.
I'm not saying career and relationships aren't crucial components of happiness. Perhaps though that is why sex and money are the two main indicators of status.
A career that makes you happy winds up requiring a lot of things working in concert and money isn't necessarily going to be in the mix, let alone significant.
Sex may feature in your most important relationships, but it's unlikely to define over the long run. Conversation is. Again complicated.
But how many people in their internal lives carry a status objective as their priority?
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Tuesday, June 30, 2015
Comprende?
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Thursday, June 18, 2015
Relationship advice reduction
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Sunday, May 24, 2015
Furiosa & Others
I'd heard some buzz about Furiosa, artists in my news feed were doing fan arts and some female friends on face book making a lot of typed noise about how exciting a character she was. I was excited, trepidatious even to see a strong female character, and I guess my expectations were ratcheted up to expect something I'd never seen before, a breakthrough, a gamechanger, a new character - to evolve into an archetype. Because I have an intense personal... I couldn't say interest, being a man... but curiosity about the challenge of writing/creating the SFC.
'The strong female character' is problematic, and the history of cinema is littered with spectacular failures and near successes and it turns out to be for me at least, an activity that bends the mind into a pretzel. These failures I feel are succinctly parodied right here.
Mark Twain wrote 'they didn't know it was impossible, so they did it.' and it's possible that the stuff I've looked at when looking into gender is a case where more information confuses what I might have intuitively or naively got right before contemplating. What I'm saying is, that it's entirely possible and even probable that I am stupid.
Seeing the film last night though, what was the true revelation of Furiosa was the insight into the invisibility of my own privilege. Furiosa will be memorable to me as part of an ensemble of memorable characters in a memorable film.
I had the sense that she was nothing new. But I'm very often guilty of hype backlash, my confirmation bias looks to evidence to support the contrary. On my ride home trying to prove the nul hypothesis, I did find it hard to recall any of her precedents. Like literally coming up blank. This was what whacked me in the face, given that Furiosa is just a character that drives a truck and fires some guns.
It appeared a land grab, an ideological land grab. A real coup for what I have thought (perhaps more specifically to men trying to write female characters) was the best process I have come across. I wouldn't be able to track down the tumblr picture that was my source, but it's basically:
How to write good female characters:
1. Create an awesome character
2. Make them a woman
For me though, the admission I have to make is my own prejudice and biases and stereotypes I carry in my head about gender that makes this process the best I've found, for me. Which is to say, I use an augmented version 1 is really - write a man. Then step 2 is having done this, go and put an 's' in front of every 'he', change the 'his' to 'hers' etc. For me it's important because it prevents me from trying to write a female character, which if I do, I lose the authenticity. Stephan Donaldson once wrote about his 'The Gap' series that every character came from him, so was him and think this is generally true.
And it comes to my mind that the difficulty with which I could recall Furiosa's precedents is key. The technique above plays to my ease of recall for writing strong male characters - batman, daredevil, every samurai ever, superman, mad max, John McClane, John Rambo, Indiana Jones, every video game avatar just about ever. And that's just naming protagonists, and sticking to the more dated and narrower archetype, forgetting revolutions like Peter Parker - the first two dimensional hero and the many nuanced flavors of strong male characters. Villains can easily become antiheros etc.
This morning, Furiosa's precedents came in a wave. The perplexing thing is that one of the trailers before mad max was for the next terminator film, yet I couldn't think of Sarah Conner (her terminator 2 incarnation, rather than the original) which in turn points further back to James Cameron's other sequels in the form of Ripley in Aliens, and if you are talking a visual precedent for Furiosa, certainly Ripley in Alien 3. Then you have Tarantino's female characters, Jackie Brown came first, but Beatrice/The Bride in Kill Bill is perhaps more salient.
But of course, it depends. For me, there's a mind-pretzel bending fine line. And from my reading 'What does it mean to be a woman?' is a very hard question to answer. One I am particularly unqualified to answer, admittedly, because I don't even have access to the unintelligible subjective experience of being a woman. But being female, or gender across the spectrum is not reducible simply to the biology of sex. People do transition, do have fluid genders, do have gender identities that don't line up with their biological sex. Even biologically, sex is difficult to draw a line between. There's a whole spectrum, of which our professional sporting institutions and regulating bodies have been trying to answer definitively and scientifically for a long time.
The test of course is going to be - can other women identify with the character as a woman. If so, you have a female character. But when dealing with the hazy clouds of attributes in the Venn diagrams of 'masculinity' and 'femininity' the art comes in, (and I'm little practiced at it, and likely as such to be bad at it) in drawing attributes from the overlap the 'strong' sector if you will, and combining it with the less represented attributes in protagonists that make a for a 'female' character.
The limitation of my above simple two-step method, is that I throw out the female circle from my venn diagram, create any male character I like, and then just draw them as female, or in film, cast a woman etc.
At this point, I should point out in terms of equality between the sexes, there's a really simple question to answer, and that is: even if a protagonist is just the same archetype but a woman as all the male archetypes that came before, just by increasing the number and frequency with which female versions of male characters appear you are moving towards equality. Similarly, if female CEO's are no different in leadership style than male CEOs, you still want more female CEOs because it's about a greater distribution of the opportunity to be CEOs. That part's easy, at least to answer if not implement.
Being born into male privilege, and white male privilege at that, it would be misleading to say I particularly care about equality between the sexes. As a creator though, I am far more concerned with a character being good, and being memorable.
I saw this post in my feed: http://chrisvisions.tumblr.com/post/119564551366 and if somebody finds the character important out there, and loves them etc. Then they are important.
For me though, my qualitative evaluation is that this character is bad. Badly conceived and poorly executed. She actually seems ham-fisted to me. Bad writing. Just as a super-hero she is what I would describe as 'over-powered' like Superman, who struggles to be interesting under the yoke of his world posing only one credible challenge to his physical robustness - kryptonite. Furthermore, being a double-minority or a two-for as executed here by being a gay latino, comes across as heavy handed something Det. Kima Greggs from 'The Wire' as a character did not.
I also find a failure that being gay latino has come at no threat to her ability to service fans, or compromise male gaze.
I can stand back and say that building up the cast of female comic book characters is across the board good. But this character I would rate as a poor concept, a crappy one, to join the ocean of crappy male characters that populate the comic universe. See Sturgeon's Law on the futility of finding crappy counter examples.
An argument could be made though, that to typecast lesbians in portrayal as being hairy legged, hairy armpitted butch characters of no appeal to sweaty mouth breathing overweight teenage boys is to stereotype lesbians, reducing their femininity and equivocating femininity with being weak. I don't think anybody actually makes this argument, and I wouldn't hold it up with what little I know about America. Going back to hark a vagrant's satire of strong female characters though, I don't think giving a character super strength and fighting ability offsets then putting them in a bikini top and hot pants.
There in lies the challenge, for me at least, whom cares more about aesthetics than equality between the sexes. The answer to the equality question as previously stated is easy, at least easy to conceive, it just needs doing.
Equality is the question 'are women missing out?', I think there is an unanswered question (possibly, it may have been answered and I'm too stupid to percieve) of 'Are we missing out?'
Is there such a thing as 'female comedy' or is it just comedy, and women have been excluded from it?
Is there such a thing as 'female leadership' (in the corporate sense) or is it just leadership, and women have been excluded from it?
I've heard enough about studies of culturally conditioned gender roles to believe women possess distinct advantages men do not, a specific one that comes to mind was a study of what makes for 'smart teams' and was told the result was a 1:1 correlation between how many women are on the team, the more women the smarter the team due to the higher number of people on a team adept at reading the emotions on other team members faces.
I feel that with Mad Max: Fury Road there is a scripting decision that could easily have removed the character of Furiosa entirely. You just needed an extra scene at the start where Max takes on Furiosa's motivation in the film and he could easily have played both roles as one character. It's a much easier exercise to imagine the film as less than it was, than take a film like Akira Kurosawa's Yojimbo (same male archetype, same basic plot) or it's western adaptation A Fist Full of Dollars, and try and imagine adding a female co-lead version of the male archetype.
But for me there was a sense of redundancy in Mad Max, as Max and Furiosa were in essence the same character. I suspect most will feel the redundant of the two is Max, and my suspicion would be driven by most of the audience viewing the film as a reboot or new film, and overlook that this is Max's fourth appearance, and his function as protagonist is as tour guide to a new and strange world. A person who finds the cultures he comes across as strange as we do, and negotiates and navigates them as we would. As Terry Pratchett said of his character Rincewind, 'his job is to go around the world meeting much more interesting characters than he is'.
I am sure this post is by and large a mess. Largely because I am a mess of where and when I am interested/disinterested in female characters. The hype I experienced with Furiosa lead to expectations that here was a character that would tell me something new about what it meant to be a woman. In hindsight this was unrealistic and unlikely, Furiosa is a product of the imagination of George Miller, not Charlize Theron.
I am specifically interested in the challenge of the Strong Female Character, my intuition that Ripley, Sarah Conner, Tank Girl, Furiosa, Beatrice/The Bride, Jackie Brown etc fall on one side of a line that gets a tick and other SFCs like Katniss, Hermione, Charlie's Angels (perhaps because they are possessed by Charlie), The Black Widow fall on another side of the line that doesn't quite get that tick.
Then there's characters like Juno, the New Ms Marvel, the new incarnation of Barbara Gordon as Bat Girl, Spider Gwen etc. that while new and positive developments in their respective industries, are of no interest to me (being out of their target market demographics) and also don't really resonate as 'strong' being that they don't pose any competition to male privilege. They simply are starting to break up the monoculture of the women that populate a universe and medium that has almost exclusively tailored to a male audience and perspective.
I could write about Thor's recasting into a female character. There's something interesting in using an existing character with built up equity. But I won't, at least not here.
One thing I have to disclose or at least point out is that my list of the more successful SFC Ripley-Conner-Tank Girl-The Bride-Furiosa are my subjective judgements, opinion treated as fact. And what I note about that list is that every single one of those characters is the product of male creators. Dan O'Bannon/Ridley Scott, James Cameron, Jamie Hewlett, Quentin Tarantino and George Miller respectively.
This is both good and bad, on the plus side it establishes that men can step up and write good strong female characters, being capable of doing so, they should. It's also that if equality is going to be achieved or even approached you have to start with the male dominated industries we have. Progress can be made even while you have producers, editors, writers and directors still being predominantly male as a hangover. Women can go see a film concieved of, created and directed by a man and find a character they can identify with as an entry point to a profession and genre they may have otherwise felt excluded from. Over time this should lead to women creating female action heroes that join this archetypal roster.
The bad is that it detracts somewhat that a small collection of men are making these characters, begging the question that the experience of strength and power come more easily to somebody with the subjective experience of being male. One thing to breath easy on, is that representative bias is almost certainly the basis of this list. Sturgeon's law prevails, there are for each successful strong male character thousands of failed attempts. These men's ability to write strong female leads is most likely a bi-product of their ability to write good strong lead characters period, where most writers fail.
But in the meantime, Diablo Cody, Lena Dunham and G Willow Wilson are writing female leads that are breaking up the monotony (the easy question) but represent characters that pose no threat to male privilege (the hard question).
I have my own character and story in my head for a female lead, which is why I'm interested to see how characters like Furiosa turn out, and how they are recieved. I have aims and ambitions in mind for my own output and I will either succeed or fail. What I take away from Furiosa is that there are stories about women that men can tell. My objective is not equality, not explicitly, and while I'm interested in feminism and don't directly oppose equality between the sexes, I feel it would be misleading to identify as feminist, I am not one, and giving due credit to how much of my behavior is subconscious, would be unsurprised if I am in fact quite chauvinistic or misogynistic in effect, though it is never my intent.
In the very least I enjoy my privilege and as an individual would be reluctant to give it up, though I don't particularly care if every other man I knew lost theirs.
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Saturday, May 23, 2015
True Dichotomy
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Thursday, May 14, 2015
Our Dogs
The great thing about a dog is that their ability to pull you into the present moment. I miss my dog, but I have many, many years experience of walking her on a daily basis. And as per the Lana Del Rey lyrics in the last post 'heaven is a place on earth with you' this I think is the truth of walking a dog. If you can bring yourself to be present for it.
The human desire for the infinite, unending afterlife I think is a sickness in the Zen Buddhist sense, so too with abundance. The desire is a desire to calm the anxiety that we are underachieving, the paradox is that in the presence of abundance we are far more likely to underachieve than in scarcity. Infact just juxtaposing the concepts of abundance and underachievement make the previous statement sound like a truism.
There is no need for my and my dogs souls to unite in some afterlife, we achieved the pinnacle of our companionship while alive, and dogs are masters of doing this. Your best opportunity to do so is with a dog. I have it, it's done. Only dementia can take it away, and I am of the opinion that the tragedy of dementia is that I would already have lost the self that holds such experiences.
Like running a marathon or staging an exhibition, I may have the desire to do so again but what is immutable is the fact that I've done these things. The opportunity has not been missed as afforded by my life. I need no second (and infinite) chances to get things right, furthermore, having had the moments walking my dog or even just waking her with a patting session in the morning, or preparing her dinner (or making her pancakes) I was, long before I started my current meditation regime, able to be present and appreciate these moments. Even during years where my mind was a tumultuous place of stress.
The afterlife can only diminish the value of my actual life, and the lives we share with our pets and everyone else for that matter. Economics may not get much right, but it gets scarcity and value right.
Civilization and its Contents
There are only two things I've done in my life where I'm confident I've done well. One is tutoring a refugee and the other is pet ownership. Say what you will about the pitfalls of human civilization, a well cared for dog though is an achievement. Much as I believe life can only be truly enjoyed when you accept your own mortality, to lesser conviction I believe the human race is on the whole probably mortal.
Sustainability movements, like exercise for an individual may be a good idea, but they are no fountains of youth. I don't see particular value in beating up on ourselves from all the mistakes we have made from being a short-sighted ignorant collective. As 'You Are Now Less Dumb' points out, if any member of modern society were able to be transported back into the middle ages, our ability to recreate the modern world would be negligible to laughable. Civilization is a collective effort, and even a leading physicist, biochemist or electrical engineer would be able to make little progress alone.
On an individual basis, we are mostly passengers that on occassion contribute some minute increment of progress to the whole. One thing all of us can do though, is take care of a pet.
We may be plagued by anxieties, fucked up by our parents, under severe economic strain and questioning our place in the universe. But a dog can have a good life, and we can give it to them. And we should. And feel proud of that achievement.
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Tuesday, April 21, 2015
Bess
She was also, highly mobile right up until her rapid decline.
It has caused me to realise a lot about death, and I plan to write more when I find time. But I just want to talk about my dog Bess. My love.
I had the opportunity to tell her everything I wanted to say to her. She passed with no regrets from me. But it occurs to me that a dog can't speak English really, I think they can understand emotion fluently though.
But that I can write to you Bess, here and now. Because word wise you have as much ability dead as you did while alive so I thought I'd write you a letter.
Not even, it's this. I think Lana Del Rey is a talented lyricist, and with a few subtracted lines, this sums up perfectly what you meant to me Bess:
It's you, it's you, it's all for you
Everything I do
I tell you all the time
Heaven is a place on earth with you
It's better than I ever even knew
They say that the world was built for two
I think the greatest gift in life is to be surprised at just how much you love something. My recent work on mindfulness allowed me to really be present with you, we achieved something together that makes any escapist desires for a reunion in eternal paradise redundant. We had it, and how much paradise do you need?
The experience can never be taken away from me. And your passing now means that it cannot be tarnished ever. Only love can triumph. You have. I have.
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Friday, April 17, 2015
Tamper Tamper Tamper
$16 an hour. Your job, tossing coins. It gets better, you're unionised so at the very least there's a collective agreement in place protecting you from a repetitive stress injury or carpal tunnel syndrome by restricting employers to one toss per employee per minute.
Good job right, no brainer, impossible to take home, and you get to stand around with a bunch of other employees at a similar stage in life or pursuing similar lifestyles and shoot the shit.
Let's head upstairs though, where the numbers get crunched and the bottom line watched. Here's their deal.
For every coin toss resulting in a head - the mysterious benefactor whose tender they won pays them $100. For every coin toss resulting in a tail they receive no revenue.
Some managers sit around looking at the data that comes through after the first quarter of the tender. They crunch the numbers and it turns out using their industry regulated fair coins the average revenue per toss turns out to be hovering around $50.
Now some truth about coin tossing. Turns out, the odds of coin tossing are quite predictable. Which is to say, 50:50 outcomes. I forget where I read it, but a POW once lacking other opportunities did actually empirically test it, in fact I found him right here. Law of large numbers.
Enter 'management' and inevitably tampering. Tampering is an important concept, a really important concept little discussed and little understood. Anywhere. But it nevertheless is a term, an actual term with a very short Wikipedia entry dedicated to it.
Except that page simple though it is, I feel makes it hard to appreciate. Hence our coin tossing job. Now imagine some manager comes in and tells you that anyone who achieves an average toss revenue of less than $60 will lose shifts. You'd be pretty stressed. Because there's actually no real way to game a coin toss. There's no way to bias a 2 sided object (dice yes, coins no) and most importantly there's nothing you can really do to produce the desired results.
Even without the threat of lost shifts and income, just consider the prospect of having a night where you achieved 53 heads in every hundred tosses and being pulled aside by a manager and asked to explain why your (literal) headcount is so low.
The answer is 'variability' it is in fact slightly improbable that it would be so high. Yet this is what tampering is. Furnishing a reason where there is none, because if you can explain your performance you can address it. Which by the way you can 'random chance', doesn't ensure but leaves it entirely possible that tomorrow you will produce the desired outcome. Over the long run of course you won't, nobody will, as the number gets larger you'll approach 50:50. And if management initiatives don't directly fuck up a process in the organisation they can indirectly fuck up the people carrying out those processes by stressing them out.
I feel though that it is an ironclad law of physics that tampering must result in long term detriment. That is, it's efforts are doomed to fail. Tampering will never be as clear cut as demanding children to be taller, or coin tossers to get more heads. But it can take many forms, like a certain number of sales orders per 1000 will result in a cockup and a return. It may seem admirably '6 sigma' to task oneself with eliminating those returns and improving bottom line and reducing waste while achieving higher levels of customer satisfaction.
Unless it doesn't.
It can result in employees juking the stats ie, refusing to take responsibility for their mistake and penalising the customers in order to appease their direct manager. It more likely will simply be more costly to fix the problem than leave it be.
'Parameters' are established for this purpose. In my own VCE I was semi-confident that I could get a score in the 90's based on comparisons between myself and my own brother who had gone before me. But I felt to get 99.95 would involve exponentially more work, plus I didn't need to get that high for my ambitions. And even if I did work harder there was no gauruntee that I would do any better, I would be getting into new territory since neither my brother nor I had ever really worked hard at school.
Same goes in general, it will cost less to make a 30% improvement in a terrible process than a 3% improvement in a decent one. This is called the law of diminishing returns. Tampering isn't strictly about that, but it can often result in '$10 solutions to $5 problems' basically any problem you can afford is kind of worthy of leaving within your standard parameters.
Here then is the tragedy of tampering. Tampering occurs in business models that while imperfect are quite efficient. No brainer business models. This bumps heads with career minded managers. When the villains of Catch-22 reveal their motives they are simple - because Full Colonel is better than Lieutenant Colonel and General is better than Full Colonel. Tampering doesn't strictly come into Catch-22 but the Colonel's demands for tighter bomb formations (in order to make more pleasing aerial photographs) and having the Preacher conduct a prayer before missions are similar though not stat based initiatives to the kind taken by tampering managers.
Tampering I think merits more play, more discussion, more salience. As does risk itself. So keep it in mind, look for it in your own workplace or even everyday life.
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Monday, April 13, 2015
India's Daughter
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Tuesday, April 07, 2015
Numbing Out
I do believe in a deterministic universe though where as complex and random as life seems, we are really just a witness to a very convoluted setup of falling dominoes. Deprived of a vantage point to ascertain most designs.
But we can percieve some, even, like gravity, without understanding it. as our confidence in probabilities decreases eg. it looks like it will rain, but who could say if and when it will. cause and effect starts to very much take on a superstitious nature.
I suspect it's our superstition around cause and effect, or causal relationships that bring about the society wide inclination to numbing - specifically most people have an unconscious belief that if they can eliminate the effect, then the cause ceases to exist.
This is all sounding very esoteric, even to me. Let's get specific.
You have a stressful day at work. You get home, and have a glass of wine to take the edge off. Your mind slows and stills, you feel better. Almost as if you have undone the stresses of the day. And what if tomorrow very much resembles today? It's okay because literally 'at the end of the day' you can numb out the experience of all your tomorrows with the stress relieving medication.
Which is to say, most of us have a fairly systemic lifestyle. The system that can be called our lifestyle systematically produces stress. We then append another system on top of that to cope with the stress of our day to day lives.
For me, this ordinary stress is hard to notice. It's present in a baseline way, such that until I practiced a meditation - one that was guided and directed me to notice tension and release it in my body, I was not aware how much facial muscles were tensed day to day.
I would be remiss to overlook that a routine of meditation can be a numbing system. If one sets aside twenty minutes a day to 'release' or 'undo' tension accumulated from your daily routine, you (or I) are only further along the spectrum from somebody needing a scotch to take the edge off.
Not that there aren't meaningful differences along that spectrum.
But this is distinct from addiction which I harp on about but would actually struggle to define. There's a common ground but numbing is more akin to the quality control sense of the word 'Tampering'.
Which is to say, attempting to fix a problem to the opposite effect. Tampering too I find hard to define though, wikipedia isn't much help. Think of it this way, you have an infected tooth causing you continuous pain. Tampering would be to take strong painkillers adding a new daily process to maintain prior comfort levels, treating the pain so to speak. Pulling the tooth out would address the source of pain.
Note that the painkillers though do not address the underlying causes, the infection. The problem in a fashion, goes unchecked. So while tampering in this example treats the pain it does in the long run kill you prematurely.
What of simply working 40 hours a week in a stressful job? Here I personally am not even in the middle of an experiment. I can't really draw any conclusions because my career as an artist is yet to pan out, and that's a career so variable that it's hard to look to precedent. I'm sure in 20-30 years time whatever outcome I'll be confident enough to find more regular career paths to serve as a fair comparison to what my life could have been like. In the meantime though I just have my intuition.
Really that intuition should be self evident, persisting as an artist takes conscious commitment. It is not a routine you can slip into, unlike a salaried position. If I did not believe I was gaining more than I sacrificed, I could not recommit to the artistic pursuit.
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Friday, March 20, 2015
Probity
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